City & Community Vol. 18, No 2. This issue has a symposium reflecting on Nathan Glazer’s work with essays by Phil Kasinitz, Tomeka Davis, Richard Alba, Aldon Morris, and Mary Waters.Read more
Category Archives: City & Community
University of California, Santa Cruz
University of California, Irvine
Interview with Deirdre Oakley, Editor-in-Chief, City & Community
-City & Community recently debuted a new cover for the March 2019 volume. What motivated the redesign?
When I became editor in 2018, the original cover design was 16 years old and I thought it was time for a new look. I also found out that Wiley, our publisher, would work with me and my on-site editorial staff on a new design free-of-charge. At the time, the Section’s Chair (Miriam Greenberg) and Publication Committee’s co-chairs (Heather MacIndoe and Japonica Brown-Saracino were supportive of the idea), as was ASA.
-Can you tell me about your editorial vision for the new cover?
There is a form of cityscape art called original line/pencil illustration or rendering. I was familiar with British Illustrator Abi Daker’s work (http://www.abigaildaker.com) and found it inspiring. This is because, symbolically, the contributions to City & Community ‘draw’ cities and the communities within them (both past and present) to reveal unique visions of previously uncovered productions.
One of the urban themes I learned when I was pursuing my master’s degree in geography in the early 1990s was that of the city as a palimpsest. This historic word originally referred to the reuse of parchment for the written word during the 1500s. Basically, with parchment, the previous text — while erased – bled through the new text. We could liken this practice today to what happens with graffiti. But back to history, the term palimpsest began to be used more broadly in the realm of urbanism to illustrate the multiple layers of the city, whether it’s about changes over time, the way different groups perceive their city, placemaking and de-placemaking, infrastructure, inequality (ethnic, racial or socioeconomic), as well as how such aspects of the urban environs are imagined. While it’s virtually impossible to convey the city palimpsest surface in a static cover design, that’s the foundational idea behind our new cover: a rendering of some generic city in line/pencil illustration form, which fades into the distance representing the present, past and future. Fortunately, we had the option for two colors to distinguish the journal title from the artwork.
The Wiley design team is confined to working with stock art (no this is not Daker’s work!), so it took some back and forth to get the image in line with what I wanted it to convey. They did a great job, for which we are all very appreciative. I am also grateful for the quick turn-around time for cover redesign approval by our Section leadership as well as the ASA.
On behalf of the entire on-site GSU Editorial Team, I’ll just say we hope you all like our new cover!
Vol. 18 No. 1 is now out.
The March issue, featuring a new cover, as well as a provocative symposium: Queer Urbanisms is now live. The symposium, with lead essayist Amin Ghaziani and responses (in the order in which they appear) by Theodore Greene, Petra Doan, Japonica Brown-Saracino and Héctor Carrillo is free access.
New CUSS Newsletter Assistant Editor, Kyle Galindez, University of California, Santa Cruz, interviewed Deirdre Oakley about her new role as City & Community editor.
What motivated you to pursue the C&C editorship?
Not many people know this, but I started my career in magazine publishing right out of college – moving to New York City from Brunswick, Maine. I worked for Vanity Fair and Fortune before I went to graduate school. While academic peer-review journals clearly have different audiences and expectations, as well as typically non-glossy and four-color (except for Contexts), I’ve always been interested in eventually becoming an editor in the academic world.
City & Community is also near and dear to my heart because the journal was launched while I was in graduate school and the first article coming from my dissertation was published in C&C. I have been a loyal reader and reviewer since its inception. When the call went out for a new editor in 2017 I thought about applying, was on the fence for a while because it’s an enormous responsibility to take on, and I was in the middle of writing a NSF grant (ultimately not funded). I finally decided that it’s now or never. My rationale: I’m a full professor so I don’t have to worry about promotion (because trust me, being editor has slowed down my productivity significantly); it would be a great opportunity for some of my grad and undergraduate students; and an opportunity to make a different kind of contribution to my field. In short, my inner-self concluded I should go for it (and so did my husband).